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James Carl - Biographie |
| 1960 | geboren in Montreal, Kanada |
| 1993-1996 | MFA, Rutgers, State University of New Jersey |
| 1995+90 | Diplom, Central Academy of Fine Arts, Peking |
| 1992 | BA, McGill University, Montreal |
| 1983 | BFA, University of Victoria, British Columbia |
2006 |
Paris Studio, Canada Council |
| 2003 | Ontario Association of Art Galleries Design Award |
| 2002 | Canada Council Production Grant |
| Canada Council Travel Grant | |
| Ontario Arts Council Project Assistance | |
| 2001 | Canada Council Travel Grant |
| 1999 | Louis Comfort Tiffany Award |
| Canada Council "B" Stipendium/Grant | |
| 1997 | Canada Council "B" Stipendium/Grant |
| 1996 | Toronto Arts Award, Protégé Award |
| 1995 | FCAR Forschungsstipendium/Research Grant |
| 1995 | Canada Council "B" Stipendium/Grant |
| 1994-95 | Chinese-Canadian Graduate Scholar Award |
| 1994 | Canada Council "B" Stipendium/Grant |
| 1993 | Conseils des Arts du Québec Project Grant |
| Canada Council Short Term Grant | |
| 1992 | Japanese-Canadian Culture Center Award |
| Canada Council Reisestipendium/Travel Grant | |
| 1989-90 | Chinese-Canadian Undergraduate Scholar Award |
| 2008 | Survey, Barnecke Gallery, Toronto, Canada |
| Diaz Contemporary, Toronto, Canada | |
| 2007 | Jalousie, Galerie Heinz-Martin Weigand, Ettlingen/Karlruhe |
| 2006 | Negative Spaces, Florence Loewy, Paris, Frankreich |
| 2004 | Final Concession, The Balcony, Toronto, Kanada |
| 2003 | Plot, Contamporary Art Gallery, Vancouver, Kanada |
| 2002 | Bottom Feeder, Mercer Union, Toronto, Kanada |
| 1999 | Work, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe |
| 1998 | Galerie Clark, Montreal, Kanada |
| Stock, Art Metropole, Toronto, Kanada | |
| 1997 | Fountain, Toronto Sculpture Garden, Toronto, Kanada |
| 1996 | Still Life, Paul Petro, Toronto, Kanada |
| Out of Service, Civic Square, New Brunswick, NJ, USA | |
| 1994 | Unentitled, YYZ, Toronto, Kanada |
| 1993 | public works, Grunt Gallery, Vancouver, Kanada |
| 1992 | re-possession, Galerie Clark, Montreal, Kanada |
| 1991 | Spring Collection, a public sculpture, Montreal, Kanada |
| 1990 | Border Patterns, Central Academy of Fine Arts, Peking, China |
| 2008 | Pulp, Open Space, Victoria, Canada |
| 2007 | Fun House, Art Gallery of Alberta, Admontan, Canada |
| 2006 | Habitat, Jessica Bradley Projects, Toronto, Kanada |
| 2005 | Diaz Contemporary, Toronto, Kanada |
| 2004 | Le Lieu en Practique, Artexte, Montreal |
| Folly, Doris McCarthy Gallery, University of Toronto, Scarborough | |
| 2003 |
Re:cycle, McMaster University, Hamilton |
| 2002 | Don, Chinati Foundation, Marfa, Texas |
| Provisional Worlds, Art Gallery of Ontario, Toronto, Kanada | |
| New Modular, Blackwood Gallery, University of Toronto, Mississauga | |
| Pile, Barkenhoff Atelier,Worpswede, Deutschland | |
| 2001 | Promises, Contemporary Art Gallery, Vancouver, Kanada |
| Pool, York Quay Centre, Toronto, Kanada | |
| Forever, Embassy of Cananda, Beijing | |
| First Light, Bellevue Art Museum, USA | |
| Objets de convoitise, Galerie 101, Ottawa | |
| 2000 | Minimal Pop, Traywick Gallery, Berkeley, USA |
| Minutia, SECCA, North Carolina, USA | |
| Climbing the walls, Robert Birch Gallery, Toronto, USA | |
| 1999 | New Urban Sculpture, Metrotech, New York, USA |
| Spatial Interest, Workspace, New York, USA | |
| Summit, Galerie 5020, Salzburg, Österreich | |
| Something, Kunstverein Hannover | |
| I'm the Boss of Myself, Sara Meltzer, New York, USA | |
| 1997 | Wrong Place, Right Time, Double Pleasure, New York, USA |
| Mannequins, Villa Minimo, Hannover | |
| Face Value, PS 122, New York, USA | |
| Work/Site, Art Gallery of Ontario, Kanada | |
| Vague Pop Part One, View Room, New York, USA | |
| 1996 | Limousine, Free Parking, Toronto, Kanada |
| MGSA Group Show, 420 West Broadway, New York, USA | |
| Sac de Hockey, Paul Petro @ 100 Yonge, Toronto, Kanada | |
| 1995 | HOA, Library of Art History, Rutgers University, NJ, USA |
| Weihai Public Sculpture Symposium, Shangdong, China | |
| DeLeon White Gallery, Toronto, Kanada | |
| Central Akademy of Fine Art, Peking, China | |
| 2000-2004 | The Balcony. http://www.thebalcony.ca |
| 2000 | Being on Time. Central Technical School, Toronto and Public Access Collective, Toronto, Kanada |
| 1999 | Summit, Gallery 5020 Salzburg, Österreich |
| 1999 | Carol Vogel "Inside Art", New York Times, 15.10.99, S. B32 |
| New Yorker, "Goings on About Town", 13.9.99 | |
| John Grande, "James Carl", Sculpture Magazine, Chicago, April 1999, S. 18-25 | |
| 1998 | Marcus Miller, "Essential Items", Mirror, Montreal, 8.10.99, S. 31 |
| 1997 | Christopher Hume, "A Panoramic View...", The Toronto Star, 5.6.97, S. G12 |
| Gillian McKay, "Sculptural Surrogates...", The Globe and Mail, Toronto, 31.5.97, S. C13 | |
| Barbara Fisher, "fountain", Toronto Sculpture Garden catalogue essay | |
| Blake Gopnick, "James Carl's Corrugated Craft", The Global and Mail, Toronto, 15.2.97, S. C4 | |
| 1996 | John Grande, "Exhibition Review", Atlanta Art Papers, 11/96 |
| 1994 | Li Fei Dong (trans.), "James Carl the Gong Gong Zuo Pin", Shi Jie Meishu (World Art, Peking), 1994, Nr. 4, S. 45 |
| Oliver Girling, "Uncanny Cardboard...", Eye Magazine, Toronto, 15.9.94, S. 60 | |
| John Grande, "Which Public...", Espace Sculpture, Montreal, 9/94, S. 6 | |
| 1993 | Robin Peck, "Exhibition Review", Parachute, Montreal, 9/93, S. 62 |
| Ann Rosenberg, "Saturday Review", Vancouver Sun, 17.4.93, S. C9 | |
| Liane Davison, "James Carl, Public Works", Grunt Gallery Publication, Vancouver | |
| Yvan Moreau, "Court Circuit", Etc. Montreal, Feb/Mai 1993, S. 63 | |
| John Grande, "James Carl's Euphemistic Reality", Espace, Montreal, Frühling 1993, S. 40 | |
| 1991 | Wang Zhou Fan, "Chang Cheng Xia de Si Lu", Ming Pao Monthly, Hong Kong, 5/91, S. 71 |
| Canada Council Art Bank | |
| National Gallery of Canada, Art Metropole Archive |
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| Art Gallery of Ontario, Toronto, Kanada | |
| McCarthy-Tétrault, Toronto Kanada | |
| Morey and Jennifer Chaplick, Toronto, Kanada | |
| Privatsammlungen in Toronto, Montreal, Peking | |