 |
|
| english | deutsch | |
 |
Tracey Moffatt - Biographie |
| 1960 | geboren 1960 in Brisbane, Australien |
| Lebt und arbeitet in Sidney und New York | |
Einzelausstellungen (Auswahl) |
|
| 2004 | Hasselblad Center, Göteborg, Schweden |
| 2003 | Shanghai Contemporary. Albrecht, Ochs & Wei, Shanghai, China |
| Museum of Contemporary Art, Sidney | |
| 2002 | Galerie Karlheinz Meyer, Karlsruhe |
| Galerie SixFriedrichLisaUnger, München | |
| 2001 | Tensta Konsthal, Tensta, Schweden |
| Fruitmarket Art Gallery, Edingburgh, Schottland | |
| Kunstforum Baloise, Basel | |
| Art Gallery of New South Wales, Sidney | |
| Artsonje Center, Seoul, Korea | |
| Taipei Fine Arts Museum, Taipei, Taiwan | |
| Auckland Art Gallery, Neuseeland | |
| Joslyn Art Museum, Omaha, USA | |
| Fourth, LA Galerie, Frankfurt | |
| Fourth, Paul Morris Gallery, New York, USA | |
| Fourth, Rosllyn Oxley9 Gallery, Sidney | |
| 2000 | Tracey Moffatt, Rose Art Museum, Waltham, Massachusetts, USA |
| Tracey Moffatt, Yerba Bueno Center, San Francisco, USA | |
| Invocations, Matthew Marks & Paul Morris Gallery, New York, USA | |
| Invocations, LA Galerie, Frankfurt | |
The National Museum of Photography, Kopenhagen, Dänemark |
|
| Geemente Museum Helmond, Niederlande | |
| Art + Public, Genf | |
| 1999 | Ulmer Museum, Ulm |
| Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe (mit Pia Stadtbäumer) | |
| L.A. Galerie, Frankfurt | |
| Laudanum, Rupertinum Salzburg | |
| Fundació "la Caixa", Sala San Juan, Barcelona | |
| Centro Galego de Arte Contemporáne, Santiago de Compostela | |
| Free Falling, ICA, Boston, USA | |
| Kunstverein Freiburg | |
| Kunstverein Hannover | |
| Neuer Berliner Kunstverein | |
| Paul Morris Gallery, New York, USA | |
| Rena Bklransten Gallery, San Francisco, USA | |
| Roslyn Oxley 9 Gallery, Sydney Australia | |
| 1998 | Kunsthalle Wien |
| Württembergischer Kunstverein, Stuttgart | |
| Arte/GE Bolzano, Italien | |
| Magazin 4 Voralberger Kunstverein, Bregenz, Österreich | |
| Free Falling, The Renaissance Society, Chicago, USA | |
| L. A. Galerie, Frankfurt | |
| Roslyn Oxley 9 Gallery, Sydney | |
| Victoria Miro Gallery, London | |
| Le case d’Arte, Milano, Italien | |
| Monash University Gallery, Melbourne | |
| Curtin University Gallery, Perth, Australien | |
| Galleri Larsen, Stockholm, Schweden | |
| 1997 | Free Falling, Dia Center for the Arts, New York, USA |
| L. A. Galerie, Frankfurt | |
| Galleri Faurschou, Copenhagen, Dänemark | |
| Galerie Andreas Weiss, Berlin | |
| 1995 | Guapa (Goodlooking), Karyn Lovegrove Gallery, Melbourne |
| Guapa (Goodlooking), Mori Gallery, Sydney | |
| Short Takes, ArtPace, San Antonio, Texas, USA | |
| 1994 | Scarred For Life, Karyn Lovegrove Gallery, Melbourne |
| 1992 | Pet Thang, Mori Gallery, Sydney |
| Centre for Contemporary Arts, Glasgow | |
| 1989 | Something More, Australian Centre for Photography, Sydney |
|
Gruppenausstellungen |
|
| 2003 | Phantom of Pleasure, Neue Galerie am Landesmuseum Johanneum, Graz |
| M_ARS, Neue Galerie am Landesmuseum Johanneum, Graz | |
| 2002 | Iconoclash- Jenseits der Repräsentationskrise, ZKM Karlsruhe |
| Video Art, Kunstnernes Hus, Oslo, Norwegen | |
| Hollywood Revisited, Aarhus Kunstmuseum, Aarhus, Dänemark | |
| True Fictions, Ludwig Forum für Internationale Kunst, Aachen | |
| Collection Croisée, musée d'art contemporain de Bordeaux, Frankreich | |
| Hautnah- die Sammlung Goetz, Museum Villa Stuck, München | |
| Barbara Krüger/Marlene Dumas/ Tracey Moffatt, Monika Sprüth Galerie, Köln | |
| 2001 | Reise ins Ich- Künstler des 20. Jahrhunderts in Selbstdarstellung, Sammlung Essl, Klosterneuburg, Österreich |
| Die unheimliche Frau. Weiblichkeit im Surrealismus, Kunsthalle Bielefeld | |
| The Promisse of Photography, Kunsthalle Schirn, Frankfurt | |
| Collaboration with Parkett, 1984 to now, The Museum of Modern Art, New York, USA | |
| Audit, Casino Luxembourg, Luxemburg | |
| World without end- aspects of 20th century photography, Art Gallery of New South Wales, Sydney | |
| Melodrama, Tate Gallery, Liverpool | |
| Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London | |
| Australian Art and Society 1901-2001, National Gallery of Australia, Canberra, Australien | |
| 2000 | 12th Biennale of Sydney, Art Gallery of New Soth Wales, Sydney |
| Deep distance- die Entfernung der Fotografie, Kunsthalle Basel | |
| Veronica´s Revenge- Contemporary perspectives on photography,Museum of Contemporary Art, Sydney | |
| Photography Now, Contemporary Art Center, New Orleans, USA | |
| Flight Patterns, Museum of Contemporary Art, Los Angeles, USA | |
| Behind the scenes, The Museum of Contemporary Photography, Chicago, USA | |
| Presumed Innocent, musée d'Art contemporain de Bordeaux, Frankreich | |
| Artists Films, Kunstverein München | |
| 1999 | La Casa, Il Corpo, IlCuore, Museum für Moderne Kunst, Stiftung Ludwig, Wien |
| Wohin kein Auge reicht, Deichtorhallen, Hamburg | |
| Das Versprechen der Photographie. Die Sammlung der DG Bank, Kestner Gesellschaft Hannover | |
| Centre National de la Photographie, Paris | |
| Rosa für Jungs, Hellblau für Mädchen, Neue Gesellschaft für Bildende Kunst, Berlin | |
| In de ban van de ring, Provinciaal Museum, Hasselt, Belgien | |
| Welten im Dialog, Museum Ludwig, Köln | |
| Zeitwenden, Kunstmuseum Bonn | |
| Nuevas Visiones, Nueavs Pasiones, Fudación Marcelino Botín, Sanander, Spanien | |
| Violence, Espai d´art Contemporani de Castello, Castellon, Spanien | |
| Six Friedrich - Lisa Ungar, München | |
| Présumés Innocents, Musée d’Art Contemporain, Bordeaux, Frankreich | |
| 1998 | Roteriros’ x 7, XXVI Bienal de São Paulo, Brasilien |
| Portraits, Paul Morris Gallery, New York, USA | |
| Presumed Innocence, Anderson Gallery, Richmond, USA | |
| Fleeting Portraits, Neue Gesellschaft für Bildende Kunst, Berlin | |
| Horizont, Brechthaus am Weißensee, Berlin | |
| Der Mensch / The Human Being, Kunstverein Schloß Plön | |
| Life is a bitch, De Appel Foundation, Amsterdam | |
| Die Nerven enden an den Fingerspitzen, Die Sammlung Wilhelm Schürmann, Kunsthaus Hamburg | |
| Echolot, Museum Fridericianum, Kassel | |
| Foto Triennale Esslingen, Esslingen | |
| Musée Departemental d’Art Contemporain, Rochechouart, Frankreich | |
| Family Viewing, The Museum of Contemporary Art, Los Angeles | |
| Nature of Man, Lund Konsthall, Lund, Schweden | |
| Museum van Heedendaagse Kunst, Gent, Belgien | |
| Der Mensch (The Human Being), Kunstverein Schloss Plön | |
| Artenergie-Art, Palazzo Corsini, Rom, Italien | |
| Guiness Contemporary Art Show, Art Gallery of NSW, Australien | |
| Museum for Contemporary Art, Los Angeles, USA | |
| 1997 | Site Santa Fe, Santa Fe, New Mexico, USA |
| Biennale, Venedig | |
| Mathew Marks Gallery, New York, USA | |
| Anthony Reynolds Gallery, London | |
| Printemps de Cahors, Paris | |
| Steirischer Herbst ‘97, Graz | |
| Campo 6 - The Spiral Village, Bonnefanten Museum, Maastricht, Holland | |
| Subject to Representation, Gallery 101, Ottawa, Kanada | |
| 1996 | Fundacao Bienal de Sao Paul, Sao Paulo, Brazilien |
| l Campo 6 - The Spiral Village, Museo d’Arte Moderna, Torino, Italien | |
| Jurassic Technologies, 10th Biennale of Sydney, Sydney | |
| Prospect 96, Schirn Kunsthalle, Frankfurt | |
| Short Stories, Altes Rathaus, Göttingen | |
| 1995 | Antipodean Currents, The Guggenheim Museum Soho, New York, USA |
| Familiar Places, ICA, Boston, USA | |
| ’95 Kwangju Biennale, Kwangju, Korea | |
| New Works 95.2, Art Pace, San Antonio, Texas, USA | |
| Perspecta 95, Art Gallery of New South Wales, Sydney | |
| 1994 | Antipodean Currents, The Kennedy Centre, Washington, USA |
| Power Works, Govett Brewster Gallery, Neuseeland | |
| Eidetic Experiences, toured through regional galleries in Queensland, Australien | |
| 1993 | The Boundary Rider, 9th Biennale of Sydney, Sydney |
| 1992 | Artist’s Projects, Adelaide Festival of Arts, Adelaide, Australien |
| 1991 | From the Empire’s End, Circulo de Bellas Artes, Madrid, Spanien |
| 1990 | Satellite Cultures, New Museum of Contemporary Art, New York, USA |
| 1988 | Shades of Light, National Gallery of Australia, Canberra, Australien |
| 1987 | Art and Aboriginality, Aspex Gallery, Potrsmouths, England |
| 1986 | Aboriginal & Islander Photographs, Aboriginal Artists Gallery, Sydney |
| 1984 | Pictures for Cities, Artspace, Sydney |
|
Filme und Videos als Drehbuchauthor/Regisseur |
|
| 1999 | Lip, 7 minute experimental video (collaboration with Gary Hillberg) |
| 1997 | Heaven, 28 minute video (Comission – Dia Center for the Arts) |
| 1995 | My Island Home, Music Video (Christine Anu) |
| 1994 | Let My Children Be, Music Video (Ruby Hunter) |
| 1993 | The Messenger, Music Video (INXS) Bedevil, 90 minute feature drama (Official Selection Cannes 1993) |
| 1989 | Night Cries, 17 minute drama (Official selection Cannes 1990) |
| It’s Up to You, 9 minute health video | |
| 1988 | Moodeitj Yorgas, 22 minute documentary A Change of Face, 3 part documentary SBS TV (co-director) |
| 1987 | Watch Out, 5 minute dance video, Film Australia Nice Coloured Girls, 16 minute experimental film |
| 1985 | The Rainbow Serpent, documentary series SBS TV (stills photographer) |
|
Arbeiten in Museen und öffentlichen Sammlungen |
|
| Tate Gallery, London, UK | |
| Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria | |
| Bayrische Staatsgemäldesammlungen, Munich, Germany | |
| Centro Galego de Arte Contemporanea, S. de Compostela, Spain | |
| Museum of Fine Arts, Houston, USA | |
| Museum of Fine Arts, Boston, USA | |
| MOCA Los Angeles, USA | |
| Refco Inc, Chicago, USA | |
| Museet For Santidskunst, Oslo, Norway | |
| Museum of Contemporary Photography, Tokyo, Japan | |
| DG Bank, Frankfurt, Germany | |
| Folkwang Museum, Essen, Germany | |
| The National Museum for Photography, Copenhagen, Denmark | |
| Linda Pace Collection, San Antonio, USA | |
| Australian National Gallery, Canberra, Australia | |
| Art Gallery of New South Wales, Sydney, Australia | |
| National Gallery of Victoria, Melbourne, Australia | |
| Museum of Contemporary Art, Sydney, Australia | |
| Flinders University, Adelaide, Australia | |
| Queensland art Gallery, Brisbane, Australia | |
| Griffith University, Brisbane, Australia | |
| Monash University, Melbourne, Australia | |
| Art Gallery of South Australia, Adelaide, Australia | |
| National Library, Canberra, Australia | |
| Tasmanian State Institute of Technology, Hobart, Australia | |
| Albury Regional Art Gallery, Albury, Australia | |
| BP Australia, Melbourne, Australia | |
| Steve Vizard Foundation, Melborne, Australia | |
| Art Gallery of Western Australia, Perth, Australia | |
| Curtin University, Perth Australia | |
|
Film- und Video-Sammlungen |
|
| New York Public Library, New York, USA | |
| National Library, Canberra, Australia | |
| State Film and Video Library, Adelaide, Australia | |
| West Australian Institute of technology, Perth, Australia | |
| Griffith University, Brisbane, Australia | |
| Macquarie University, Sydney, Australia | |
| University of Technology, Sydney, Australia | |
| Sydney University, Sydney, Australia | |
| State Film Centre, Melbourne, Australia | |
| West Australian Film Centre, Perth, Australia | |
| Institute of Aboriginal Studies, ANU Canberra, Australia | |
|
Film- und Videovertriebe |
|
| Ronin Films, Canberra, Australia | |
| Southern Star, Sydney, Australia | |
| Australian Film Institute, Melbourne, Australia | |
| Women Make Movies, New York, USA | |
| Circles, London, UK | |
| JaneBelfour, London, UK | |
| Women in Focus, Vancouver, Canada | |
| (K) = Katalog | |