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John Wesley - Biographie |
| 1928 geboren in Los Angeles | |
Ausbildung |
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| 1947-50 | Los Angeles City College und U.C.L.A. |
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Auszeichnungen und Stipendien |
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| 1989 | National Endowment for the Arts Stipendium |
| 1976 | Guggenheim Fellowship |
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Einzelausstellungen |
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| 2005 | Paintings on Paper, Krefeld Kunstverein (in Vorbereitung) |
| 2004 | New Paintings, Daniel Weinberg Gallery, Los Angeles |
| 2003 | New Paintings, Fredericks Freiser Gallery, New York |
| Paintings on paper, Tomio Koyama Gallery, Tokyo | |
| 2002 | Time and Again, Daniel Weinberg Gallery, Los Angeles |
| New Paintings, Fredericks Freiser Gallery, New York | |
| New Paintings, Gagosian Gallery, London | |
| 2001 | John Wesley Love's Lust, Fogg Art Museum, Harvard University, Cambridge, USA |
| Onnasch Ausstellungen, Berlin | |
| 2000 | John Wesley:Retrospective, Contemporary Art Center, Long Island City, New York |
| Nudes, Texas Gallery, Houston, Texas | |
| Daniel Weinberg Gallery, Los Angeles | |
| 1999 | Irish paintings, Jessica Fredericks Gallery, New York |
| 1998 | Favorite Works, Jessica Fredericks Gallery, New York City |
| Paintings and Gouaches, Chinati Foundation, Marfa, Texas | |
| Women, Danese Gallery, New York | |
| 1996 | Jessica Fredericks Gallery, New York City, Man & Beast: 1965-1996 |
| Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe | |
| 1994 | Jose Freire Fine Art, New York City |
| Galerie Rolf Ricke, Köln | |
| 1993 | Stedelijk Museum, Amsterdam, John Wesley: A Retrospective (K) |
| Portikus, Frankfurt, John Wesley: Eine Retrospektive | |
| DAAD Galerie, Berlin, John Wesley: Retrospektive, Arbeiten auf Papier | |
| Kunstverein Ludwigsburg, John Wesley: Retrospektive, Arbeiten auf Papier | |
| Galerie Marc Jancou, Zürich, Works on Paper | |
| 1993, 87 | 101 Spring Street Gallery, New York City |
| 1992 | Daniel Weinberg Gallery, Santa Monica, A Retrospective View 1962- 1992 |
| Galerie Antoine Candeau, Paris, Twelve Nudes | |
| 1991 | fiction/nonfiction, New York City (K) |
| 1990 | Drew Gallery, Canterbury, England, Works on Paper |
| fiction/nonfiction, New York City, Selected Paintings: 1963 - 1973 | |
| Chinati Foundation, Marfa, Texas (kuratiert von Donald Judd / Katalog Vorwort Dan Flavin) | |
| 1989, 85, 73 | Carl Solway Gallery, Cincinnati, Ohio |
| 1984, 83, 82, 80, 79, 78, 76, 75, 74, 73, 72, 71, 69, 67, 65, 64, 63 | Robert Elkon Gallery, New York City |
| 1983 | Reinhard Onnasch Ausstellungen, Berlin, Cheep! Paintings from the Years 1962 through 1982 (K) |
| 1974 | University of Rochester, New York |
| 1973 | Galerie Rudolf Zwirner, Köln |
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Ausstellungsbeteiligungen (Auswahl) |
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| 2003 | Funny Papers, Daniel Weinberg Gallery, Los Angeles |
| POP thu OUT, Arario Gallery, Cheonan, Südkorea | |
| 2002 | The Presidential Suite, Nassau County Museum of Art, New York |
| Painting &Sculpture &Sculpture, Wall Street Rising, New York | |
| Summer 2002, Fredericks Freiser Gallery, New York | |
| 2001 | Pop Art: US/UK Connections 1956-66, The Menil Collection, Houston, Texas |
| The "W" show, Museum of Dole, Frankreich | |
| Locating Drawing, Lawing Gallery, Houston, Texas | |
| 2000 | The Figure: another side of modernism paintings, 1950 to the present, Newhouse Center of Contemporary Art, Staten Island, New York |
| 1999 | Group show, Galerie Nacht St. Stephan, Wien |
| Contemporary Collectors, Museum of Contemporary Art San Diego, La Jolla, Kalifornien | |
| Robert Grovsnor, Andreas Gursky, John Wesley, The Carnegie Museum of Art, Pittsburgh, USA | |
| 1998 | Rupertinum, Salzburg, Ideal und Wirklichkeit - Das Bild des Körpers in der Kunst des XX. Jahrhunderts von Bonnard bis Warhol (K) |
| Bathroom, Thomas Healy Gallery, New York | |
| Americans, The J.B. Speed Museum, Louisville | |
| 1996 | Currier Gallery of Art, Manchester, New Hampshire, Reflection and Renewal: The Painters and Sculptors of The MacDowell Colony (Ausstellung wurde auch gezeigt in: Equitable Gallery, New York City; Wichita Art Museum, Wichita, Kansas) |
| Third International Gramercy Art Hotel, Jessica Fredericks Gallery, About Face (kuratiert von Andrew Freiser) | |
| James Graham & Sons, New York City, Animundi | |
| 1995 | Apex Art, New York City, Dutch Wives, Phone Sex & Other Cheap Thrills (kuratiert von Jessica Fredericks und Andrew Freiser) |
| 1994 | Katonah Museum of Art, Katonah, New York, Single-Cel Creatures: Cartoons and their Influence on the Contemporary Arts (kuratiert von Tom Zummer) |
| 1993 | Peggy Guggenheim Museum, Venice, Italy, Drawing the Line Against AIDS (kuratiert von Klaus Kertess ,with catalogue/traveling to the Solomon R. Guggenheim Museum, New York City) |
| Daniel Weinberg Gallery, Santa Monica, Twenty Year Anniversary Exhibition | |
| Joseph Freire Fine Arts, Project Space, New York City, Ava Gerber and John Wesley | |
| Thread Waxing Space, New York City, I am The Enunciator (kuratiert von Christian Leigh) (K) | |
| 1992-93 | The Museum of Contemporary Art, Los Angeles, Hand Painted Pop 1957-1962 (Ausstellung wurde auch gezeigt in: The Museum of Contemporary Art, Chicago und The Whitney Museum of American Art, New York City) (K) |
| 1992 | Asher-Faure Gallery, Los Angeles, Bedroom Pictures (kuratiert von Terry R. Myers) (K) |
| Wexner Center for Contemporary Art, Ohio State University, Columbus, Re: Framing Cartoons (kuratiert von Tom Zummer) (K) | |
| Daniel Weinberg Gallery, Los Angeles, Works on Paper | |
| P.S. 1 Museum, The Institute for Contemporary Art, Long Island City, New York, Slow Art: Painting in New York Now | |
| fiction/nonfiction, New York City, The Whole Part: John Cooplans, Rona Pondick and John Wesley | |
| 1991-92 | Royal Academy of Arts London, Pop Art (Ausstellung wurde auch gezeigt in: Museum Ludwig Köln und Centro de Arte Reina Sophia Madrid) (K) |
| 1991 | Galeria Fernando Alcolea, Barcelona, Rope (kuratiert von Christian Leigh) (K) |
| Galerie Ronny Van De Velde, Antwerpen, Belgien, About Collecting: Four Collectors. Four Spaces | |
| 1990-91 | fiction/nonfiction, New York City, Summer Group Exhibition |
| Asher-Faure Gallery, Los Angeles, Gallery Selections | |
| 1988 | Institute of Contemporary Arts, London, Comic Iconoclasm |
| 1987 | Brain Trust, Tokyo, Pop Art USA-UK '60s in the '80's (K) |
| 1983 | The Whitney Museum of American Art, New York City, The Comic Art Show |
| 1978 | The Whitney Museum of American Art, New York City, Cartoons |
| P.S. 1, Long Island City, New York, Another Aspect of Pop Art (kuratiert von Per Jensen) | |
| The Whitney Museum of American Art, New York City, Art About Art | |
| 1976 | Indianapolis Museum of Art, Painting and Sculpture Today '76 |
| 1974 | Alan Frumkin Gallery, New York City, American Painting from 1961 |
| 1972 | Documenta 5, Kassel (K) |
| 1969 | Indianapolis Museum of Art, Painting and Sculpture Today '69 |
| 1969, 68 | The Whitney Museum of American Art, New York City, Painting Annual |
| 1968 | American Federation of the Arts, traveling exhibition, Patriotic Images in American Art |
| American Federation of the Arts, traveling exhibition, The Figure | |
| 1967 | Instituto di Tella, Buenos Aires, Premio International |
| 1966 | American Federation of the Arts, traveling exhibition, Pop Eleven |
| 1965 | Milwaukee Art Center, Wisconsin, Pop Art and the American Tradition |
| Palais des Beaux-Arts, Brussels, Pop Art, Nouveau Realisme, Etc. | |
| Byron Gallery, New York City, The Box Show | |
| Byron Gallery, New York City, Posters for the Paris Revue | |
| 1964-65 | Hochschule der Bildenen Künste, Berlin, New Realists (Austellung wurde auch gezeigt in: Gent Academy of Modern Art und Municipal Museum, The Hague und Galerie Ileana Sonnabend, Paris) |
| 1964 | Rose Art Museum, Brandeis University, Recent American Drawings |
| Dilexi Gallery, San Francisco, Republican Convention Show | |
| Byron Gallery, New York, One Hundred American Drawings | |
| World House Gallery, New York, World House International | |
| Ohio University, Athens, Ohio, Anti-Sensitivity Art | |
| 1963 | Washington Gallery of Modern Art, Washington D.C., The Popular Image |
| Oakland Art Museum, California, Pop Art U.S.A. | |
| Institute of Contemporary Arts, London, The Popular Image | |
| Albright-Knox Art Gallery, Buffalo, Mixed Media and Pop Art | |
| 1959 | Los Angeles County Museum, California, Los Angeles County Annual |
| 1958 | Exodus Gallery, San Pedro, California, Drawing Show |
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Werke in öffentlichen Sammlungen (Auswahl) |
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| Albright-Knox Art Gallery, Buffalo, New York | |
| Chase Manhattan Bank, New York City | |
| Chinati Foundation, Marfa, Texas | |
| Dayton Museum of Art, Dayton, Ohio | |
| Denver Art Museum, Colorado | |
| East Hampton Museum, East Hampton, New York | |
| Hirshhorn Museum and Sculpture Garden, Washington D.C. | |
| JB Speed Art Museum, Louisville, Kentucky | |
| Kunstmuseum, Basel, Schweiz | |
| Michner Collection, University of Texas at Austin | |
| Museum of Modern Art, New York City | |
| Minneapolis Society of Fine Arts | |
| Portland Art , Museum, Portland, Oregon | |
| Rose Art Museum, Brandeis University | |
| Stedelijk Museum, Amsterdam | |
| University of Kentucky at Lexington | |
| The Whitney Museum of American Art, New York City | |
| Wadsworth Antheneum, Hartford, Connecticut | |
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Bibliographie (Auswahl) |
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| 1995 | Karmel, Pepe, "Dutch Wives, Phone Sex & Other Cheap Thrills", The New York Times, September 22, p:C31 |
| 1994 | Eickhoff Beate, "Die Stilisierung des Nabels", Kölner Stadt-Anzeiger, 14. Januar, (mit Abbildung) |
| 1993 | Kimmelman, Michael, "Explosive Painting: The Path to Pop", The New York Times, 9. Juli, S: C1, 24 |
| Johnson, Ken, Feature Article, "Troubled Toons", Art in America, February, S: 76-81,57 (mit Abbildung): | |
| Jusidman, Yishai, "John Wesley at Daniel Weinberg", Art Issues, February, S: 42 (mit Abbildung) | |
| Cohen, Michael, "John Wesley at Daniel Weinberg", Flash Art International, Januar/Februar, S: 92-93 (mit Abbildung) | |
| Iannaccone, Carmine, "Review of 'Bedroom Pictures' ", Art Issues (L.A.), Januar/Februar, S: 42 | |
| 1992 | Pagel, David, "Strange Bedfellows", The Los Angeles Times, 19. November |
| Pagel, David, "Charm, Trauma Mix in Wesley Works", The Los Angeles Times, 22. October, S: F8 (mit Abbildung) | |
| Kertess, Klaus, "Erotico(s)mics", Essay für die Ausstellung in der Daniel Weinberg Gallery, Los Angeles, Oktober | |
| Myers, Terry R.:, "Abstraction Gets a Life", Tema Celeste, Sommer, S: 82 (mit Abbildung) | |
| Levin, Kim, "Voice Choice: 'Slow Art' ", The Village Voice, 19. Mai, S: 75-76 | |
| Hess, Elizabeth, "Dirty Laundry: Review of 'The Whole part' ", The Village Voice, 12. Mai, S: 91 | |
| Smith, Roberta, "From New York Painters, Work That Takes Time", The New York Times, 1. Mai, S: C31 | |
| 1991 | Schwartz, Sanford, "Between Bonnard and Dick Tracy", The New York Times, 6. Oktober |
| McGonigle, Thomas, "Review", ARTnews, September, S: 136-8 (Abbildung) | |
| Yau, John, "The Erotic Other", Art Magazine/1991-1992 International Directory of Exhibition Catalogues, S: 26-28 (Abbildung) | |
| 'Rope', Colgados de Hitchcock", Guia del Ocio, No. 80, 7. Juni (Abbildung) | |
| Tager, Alisa, "Review", Lapiz, No: 78, Mai/Juni, S. 75 (Abbildung) | |
| "La Soga y el proyecto Hitchcock", Mirador, 13. Juni | |
| Borum, Jenifer P :, "Review", Artforum International, Sommer, S: 1 14 (Abbildung) | |
| Yau, John, "The Erotic Other" und Green, Hannah, "John Wesley", Essays für die Kataloge der Ausstellungen, " John Wesley: 1991" und "Selected Paintings 1963- 1973" in fiction/nonfiction, New York City, März | |
| 1990 | Adams, Brooks, Review of 'Selected Paintings: 1963-1973' in "fiction/nonfiction", Art in America, Oktober, S. 216- 17 (Abbildung) |
| Schjeldahl, Peter, "Toontown", Seven Days, April 4, S. 60-61 | |
| Kimmelman Michael, "Wesley's Decorative Slant", The New York Times, 30. März, S.C25 (mit Abbildung) | |
| Liebmann, Lisa, "Review of 'Selected Paintings: 1963-1973' at fiction/nonfiction", The New Yorker, 26. März, S. 12 | |
| Livingston, Marco, Pop Art: A Continuing History, Thames and Hudson | |
| 1987 | Livingston, Marco, Pop Art USA-UK, Katalogtext, S. 74 |
| 1986 | Weiermair, Peter, Vom Zeichnen, Benedict Verlag, Köln |
| 1984 | Cummings, Paul, Twentieth Century American Drawings: The Figure in Context, International Exhibitions Foundation, Washington, D.C., S. 140 (mit Abbildung) |
| Raynor, Vivien, The New York Times, Besprechung einer Einzelausstellung in der Robert Elkon Gallery, Juni | |
| 1982 | Russell, John, The New York Times, Besprechung einer Einzelausstellung in der Robert Elkon Gallery, April 16 |
| Green, Hannah, Cheep, Katalogtext für die Ausstellung bei Reinhard Onnasch Ausstellungen, Berlin | |
| Schwartz, Sanford. The Art Presence, Horizon Press, New York, S. 108-110 | |
| 1980 | Stimson, Paul, "John Wesley at Elkon", Art in America, Oktober, S. 131 (mit Abbildung) |
| 1979 | McGonigle, Thomas, Arts Magazine, "John Wesley", February, p. 9 (mit Abbildung) |
| 1977 | Schwartz, Sanford, "John Wesley at Elkon", Art in America, Januar-Februar, S. 124 (mit Abbildung) |
| 1975 | Judd, Donald, Complete Writings 1959- 1975, Nova Scotia College Press und New York University Press. |
| 1974 | Green, Hannah, The Unmuzzled Ox, "A Journal in Praise of the Art of John Wesley", vol. II, No. 3., S. 46-65 |
| Frank, Peter, "John Wesley at Elkon", Art in America, Mai-Juni, S. 106-7 (mit Abbildung) | |
| 1973 | Schjeldahl, Peter, The New York Times, "Something Funny's Going On", 7. Januar |
| 1970 | Compton, Michael, Movements of Modern Art - Pop Art, Hamlyn |
| Kronhausen, Phyllis and Eberhard, Erotic Art: Volume 2, New York | |
| 1968 | Battock, Gregory, Minimal Art |
| Benedikt, M., Art International Magazine, Xll/9 November | |
| 1967 | Benedikt, M., Art International Magazine, April |
| 1966 | Lippard, Lucy, R., Pop Art, Praeger, New York (Abbildung) |
| Arnason, H., H., History of Modern Art, Abrams, New York | |
| Pellegrini, Aldo, New Tendencies in Art, Crown. | |
| 1965 | Johnson, J., Art International Magazine, IX/1965, S. 41-42, 46 |
| Plumb, Barbara, The New York Times, "Artists Find New Objects For Humor", 26. Mai, (Abbildung) | |
| 1964 | Johnson, J., Art News, Januar |
| 1963 | Judd, Donald, Arts Magazine, Besprechung einer Einzelausstellung in der Robert Elkon Gallery, April |