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Gabriele Basch - Curriculum Vitae |
| 1964 | born in Bad Homburg, Germany |
| 1985-93 | studied painting at the Hochschule der Bildenden Künste Berlin, Germany, in the class of H.J. Diehl |
| 1989 | Fellowship of the Studienstiftung des Deutschen Volkes |
| 1993 | participated at the Goldrausch fellowship |
| Erasmus Grant, Royal College of Art, London, GB | |
| 1996 - 1998 | lecturer at the Hochschule der Bildenden Künste, Berlin, Germany |
| 1996 | working grant of the Senator for Cultural Affairs, Berlin, Germany |
| Prize-winner of the Übergänge contest, Berlin, Germany (realisation of the floor work on the Sandkrugbrücke/Invalidenstraße 1999) | |
| 1998 | Fellowship of the Mecklenburgische Künstlerhaus Schloß Plüschow, Germany |
| Fellowship of the Künstlerstätte Schloß Bleckede, Germany | |
| 1999 | Award of the Grundkreditbank e.G. - Köpenicker Bank, Berlin, Germany |
| lecturer at the Svenska Yrkeshögskolan, Nykarleby, Finnland | |
| 2000 | Kunstfonds e.V. fellowship, Bonn, Germany |
| lecturer at the Hochschule der Bildenden Künste, Berlin, Germany | |
| 2001 | Civitella Ranieri Fellowship, New York (in Perugia, Italy) |
| 2004 | Fellowship of the Senate of Berlin for Istanbul |
| 2005 | Villa Massimo Rom, Fellowship |
Catalogue advancement of Kunstfonds e.V., Bonn |
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| 2005 | LINC, Temple Gallery, Rom, Italy (with Alfredo Pirri) |
| TRIP, Galerie Kamm, Berlin, Germany | |
| 2004 | Galerie M.&R. Fricke, Düsseldorf, Germany |
| Park, Galerie Birner + Wittmann, Nürnberg, Germany | |
| 2003 | Weiss, Gallery Kamm, Berlin, Germany |
| Gallery of temporary art at the OSRAM Haus, Munich, Germany | |
| Blindsight, Arthall Rättvik, Sweden | |
| 2002 | Out of the Dark, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe, Germany |
| Spitze, Sponsorship programme for young artists, Art Cologne, Germany | |
| Block, Company-Lounge, Artforum, Berlin, Germany | |
| 2001 | Galerie M+R Fricke, Düsseldorf, Germany |
| Noise, Galerie Kamm, Berlin, Germany (with Andreas Schimanski) | |
| Gallery Thomasson, Gothenborg, Sweden | |
| Lost Velvet, Galerie Kamm, Berlin, Germany | |
| 2000 | overworld, Kunstverein Unna, Germany |
| overworld, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe, Germany | |
| Tafelbild 2000, Kunstverein Leipzig Project Space Elsterpark, Leipzig, Germany | |
| Muster, Kunstverein Ravensburg, Germany | |
| 1999 | It's A Real Thing, Gallery Thomassen, Gothenborg, Sweden (with Beate Spalthoff) |
| 1998 | Paper Cuts, Galerie Heinz-Martin Weigand, Ettlingen/Karlsruhe, Germany |
| Could be you, Belvue-Saal, Wiesbaden, Germany | |
| 1997 | Cut, Kunstruimte, Berlin, Germany |
| Galerie Malakoff, Freiburg, Germany | |
| P + P, Galerie im Parkhaus, Berlin, Germany | |
| 1996 | Phänomene: Unschuld, Kunstverein Wolfenbüttel, Germany |
| Weiss wie Schnee, Kunstverein Galerie Acud, Berlin, Germany (K) | |
| Beste Freunde, Galerie Fruchtig, Frankfurt, Germany | |
| 1995 | Hoffnungsträger, Galerie Westerhagen, Cologne, Germany |
| 45 alltägliche Tagödien, Haus Harig, Hannover, Germany | |
| 1994 | 6 Mädchenmotive, Backstage E-Werk, Berlin, Germany |
| 1993 | Sugar, Installation, Salon Boudoir, Berlin, Germany, with T. Haber |
| 1992 | Das süße Leben oder die Verstrickung II, Galerie Westerhagen, Cologne, Germany |
| Von Einer die auszog um das Fürchten zu lernen, Galerie Hochfeld, im U-Bahnhof Isartor, Munich, Germany | |
| 1990 | Bilder die die Welt bedeuten, Eisenhalle, Berlin, Germany |
| 2006 | Just Painting!, HSH Nordbank AG, Hamburg, Germany |
| PROBLEMS ON THE WAY TO THE MODERN WORLD, Galerie Kamm, Berlin, Germany | |
| Die Sammlung - Ein Querschnitt, Galerie aktueller Kunst im OSRAM Haus, Munich, Germany | |
| 2005 | Hinterland, Villa Massimo, Rom, Italy |
| drei, zwei, eins, artist from the promotional programme of the Columbus Art Foundation, Columbus Art Foundation, Ravensburg, Germany | |
| 2004 | Take Care, Kunsthaus Hamburg |
| B2B, Laura Mars GRP, Berlin, Germany | |
| 2003 | Cut Out, Gallery Barbara Gross, Munich, Germany |
| System Leben, Binz 39, Zürich, Switzerland | |
| 2002 | Peinture, Galerie Sfeir - Semler, Hamburg, Germany (with John Armleder, Dieter Detzner, Urs Frei, Hanspeter Hofmann, Michael van Ofen, Markus Weggenmann) |
| Realities & Histoires d`Amour, Kunstverein Ulm, Germany | |
| Spitzenbilder & Paper-Cuts, Museum Bruder Klaus, Sachseln, Switzerland | |
| Nach der Natur, Berlinische Galerie im Forum der Grundkreditbank, Berlin, Germany (K) | |
| Snowcrash, Kunst und Medienzentrum Adlershof, Berlin, Germany | |
| Transvisit, Fort Masnedoe, Vordingborg, Denmark | |
| 2001 | Sense of Wonder, Herzliya Museum of Art, Israel (K) |
| Lebensmuster - Patterns of Live, Museum Schloß Hardenburg, Velbert and Schloss Ringenberg, Germany (K) | |
| Intime Expeditionen, Haus am Waldsee, Berlin and Badischer Kunstverein, Karlsruhe, Germany (K) | |
| Who killed Bambi?, K&S Gallery, Berlin, Germany (K) | |
| Papier=Kunst, Neuer Kunstverein, Aschaffenburg, Germany (K) | |
| 2000 | made for fun, Städtische Galerie Nordhorn, Germany (K) |
| Innocent life, Contemporary Art Center, Vilnius, Lithuania (P) | |
True Illusion, Galerie Bergmann, Göteborg, S weden |
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| 1999 | Zeichenraum, Künstlerhaus, Dortmund, Germany |
| Beckmann-Basch-Twelker, Schloss Bleckede, Germany | |
| Sichtverhältnisse, Künstlerhaus Bethanien, Berlin, Germany | |
| Rosa für Jungs, hellblau für Mädchen, NGBK, Berlin, Kunstruimte, Berlin, Germany (K) | |
| sight-seeing, Schloss Plüschow, Germany (K) | |
| Banal Ground, Kunst- und Medienzentrum (KMZA), Berlin, Germany | |
| Cristal Clear, Kunsthalle Vaasa, Finnland (with Peter Ojstersek und Roswita Paetel) | |
| Künstlerinnen sehen Goethe, Goethemuseum, Düsseldorf, Germany | |
| Malkasten, Düsseldorf, Germany | |
| Ansichtsache - Malerei, Sammlung Columbus, Zußdorf near Ravensburg, Germany | |
| Galerie Christa Burger, Munich, Germany | |
| Monta Tapaa Maalata, Galerie Anhava, Helsinki, Finland | |
| 1998 | Das Kind in der Kunst, Eurotower, Frankfurt, Germany |
| Sichtverhältnisse, Centro Cultural del Conde Duque, Madrid, Spain | |
| Zimmer frei, Schloß Bleckede, Bleckede, Germany | |
| Kommando-Ketchup-Berlin, Kunsthalle Passagen, Linköping, Sweden | |
| Dem Ornament, Galerie Hafemann, Berlin, Germany | |
| 1997 | Diskrete Sicherheit, Kulturmodell, Passau, Germany |
| Gute Zeiten - Schlechte Zeiten, Studio Acud, Berlin, Germany | |
| Was ist, Kunsthalle Rostock, Germany (K) | |
| Kunstverein Gifhorn, Germany | |
| 1996 | Odysee/Lovehotel, Documentahalle, Kassel, Germany |
| pop mix/volume one, Ortsbegehung 2, NBK, Berlin, Germany (K) | |
| 1995 | Gallery Vorsetzen, Hamburg, Germany |
| Kunstverein Wernigerode, Germany | |
| Von den Flügeln zum Zentrum, KX-Kampnagel, Hamburg, Germany | |
| 1994 | Kitsch a Gogo, Galerie Marsyas, Berlin, Germany |
| Abenteuer Glück, Haus am Waldsee, Berlin, Germany (K) | |
| 1992 | Camping, a dialog between the exhibition spaces Künstlerhaus Bethanien, Altes Museum and the Neuen Nationalgalerie, Berlin, Germany |
| 1999 | Tatort Kunstverein, a discussion moderated by Heike Munder and Bernd Milla, halle_der_kunst/ Lüneburg e.V., Musikschule Lüneburg, Germany |
| 1996 | Ornament und Abstraktion, a discussion moderated by Hanne Loreck, Hochschule der Künste Berlin, Germany |
| G. Basch und G. Elben im Gespräch: fellows fine arts, Neuer Berliner Kunstverein, Berlin, Germany | |
| (K) = catalogue | |
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